Wood working

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Heart of the Cowboy

The Durango Arts Center is hosting an exhibit entitled, Heart of the Cowboy, in association with the Durango Cowboy Gathering this month. The exhibit features the large oil paintings and drawings of Jim Bramlett, saddles of Lisa and Loren Skyhorse, Hats by Durango Custom Hat and Saddles, and a very special collection of works on paper by Will James (from the Collection of Brian Winter). Will James’ and Jim Bramlett’s books are also included in the exhibition. Senator Jim Isgar attended the opening reception and presented a check from the Colorado Council on the Arts which supports the Durango Arts Center’s arts educational outreach programs. This exhibit has offered a wealth of education programs to the children in the 9-R school district including the visual arts and cowboy poetry. In the attached photos, you will see a docent tour of the exhibit lead by DAC docents for the children of Park Elementary School. In the photograph of the check presentation, the participants (from left to right are, Brian Wagner, DAC Executive Director; Loren and Lisa Skyhorse, saddle makers; Susan Anderson, DAC Exhibits Director; Senator Jim Isgar; Brian Winter, Collector; Jim Bramlett, painter and author. The painting in the background of the check presentation is of the Durango’s Diamond Belle Saloon by Jim Bramlett.

Lindsay Obermeyer | Chicago

Lindsay Obermeyer has been making art for longer than she can remember. Both of her grandmothers encouraged this passion, providing endless bits of ribbon, yarn, lace, etc. At 17 she announced she would be majoring in underwater basket weaving, but soon decided that mastering an 8 harness floor loom was more challenging. Since graduation, her art has been exhibited in galleries and museums around the United States.

Interests
knitting, beading, embroidery, felting, dyeing, weaving, medical history, etymology, cooking, gardening, blues, jazz, funk, and last but not least - eating chocolate.

Coming Soon!

The MFA Show :: Summer 2007
This collection of works by students in CSU's master of Fine Arts program spotlights the exploration of theme, materials and the creative process. The exhibition includes work by students at various stages of the program from first year creation to thesis preparation. Students consult with the exhibit's curator to select works that represent a part of their educational journey and offer a narrative accompaniment that provides insight into their process of exploration.
This biennial exhibition is co-sponsored by CSU’s Department of Art.

Susan Point

Susan Point: A Point in Time opens today in the Clara Hatton Gallery at Colorado State University
The Hatton Gallery, located in the Visual Arts Building, is open Monday through Friday from 9 a.m. to 4 p.m. and Saturday from 1 to 4 p.m.
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Since beginning her artistic career in the early 1980s, Susan Point has produced a significant body of work in the Coast Salish tradition. Ranging in medium from jewelry to prints, paintings and monumental sculpture in wood and glass, Point’s work expresses both ancestral concepts and contemporary concerns. Point’s inventiveness, her love of working on a large scale, and her innovative vision have led to many prestigious public commissions.

She has completed works for the Vancouver International Airport, the University of British Columbia Museum of Anthropology and the Victoria Convention Centre, among many others. Point’s work has been included in over 60 group exhibitions and solo shows. In 2000, Point received an honorary Doctorate of Arts degree from the University of Victoria for her contributions to the art world.

(Image at left: Susan Point, Symphony of Butterflies, print on paper, Courtesy of Bob Mathieson).

The exhibit, which runs from March 26 through April 27, is made possible by the FUNd at CSU.
For more details, visit http://www.colostate.edu/Depts/Art/hg or contact Linny Frickman at Linda.Frickman@colostate.edu.

Mara Kali

Mara Kali is an artist, a Reiki practitioner and a freelance computer nerd. She has a B.F.A. in Fiber Art from Colorado State University. In addition to photography, she weaves, quilts, and draws large abstract figures.

Elements in common with all her passions are line, shape, movement and vibration...whether it be light, sound or personal energy.

Jennifer Scott McLaughlin | Fort Collins

The nature of my abstract compositions are generally free form in their creation. However, the constant reoccurrence of a horizon line has forced me to acknowledge the references to land are not coincidental. The idea of space and growth in nature is something which directly influences my work. Through this current body of work, I have made the “landscape” a deliberate theme.
Although my paintings are often very active, they build themselves much like plant life, and explore the idea of growth above and below the ground surface. This allows the viewer a cross sectional examination of a landscape. Forms evolve from the rigorous overuse of them and begin to resemble pods, seeds, leaves, and most recently, flowers. It is my hope the evolution of the forms precedes the realization of what the forms represent, encouraging the constant development and escalation within the work. When a painting becomes predetermined and familiar, one has ceased the learning process—I find this results in a very contrived expression. The constant exploration in one’s art-making is what keeps the work fresh--alive. My true artistic vision begins and ends with this idea.