Jennifer Scott McLaughlin | Fort Collins

The nature of my abstract compositions are generally free form in their creation. However, the constant reoccurrence of a horizon line has forced me to acknowledge the references to land are not coincidental. The idea of space and growth in nature is something which directly influences my work. Through this current body of work, I have made the “landscape” a deliberate theme.
Although my paintings are often very active, they build themselves much like plant life, and explore the idea of growth above and below the ground surface. This allows the viewer a cross sectional examination of a landscape. Forms evolve from the rigorous overuse of them and begin to resemble pods, seeds, leaves, and most recently, flowers. It is my hope the evolution of the forms precedes the realization of what the forms represent, encouraging the constant development and escalation within the work. When a painting becomes predetermined and familiar, one has ceased the learning process—I find this results in a very contrived expression. The constant exploration in one’s art-making is what keeps the work fresh--alive. My true artistic vision begins and ends with this idea.

Joan LaRocca

Born in New York City, Joan LaRocca began drawing seriously at age twelve and has been on a creative quest ever since. At age 17, Joan was presented the Alexander Award by the Metropolitan Museum of Art given to the most outstanding art students in New York City.

There is a tradition of art is in her family. Her father was an impeccable craftsman whose work can be seen throughout the U.S., including Harry Winston on 5th Avenue in Manhattan. Her grandfather, Andrew Giuliano, carved in wood and Uncle Zachary was an international sculptor and restorer. Joan's brother Frank, is an architect.

Ms. LaRocca received highest honors from the Art Department at N.Y.U. where she completed her undergraduate and graduate degrees. There she came under the tutelage of mentor Hale Woodruff, one of the most renowned African-American artists of this century, who, Ms. LaRocca says, "Encouraged me to paint my own vision, to believe in what I was doing, and to hold to the integrity of my personal expression."

During the early 60's in Greenwich Village, Joan was involved with some of the most influential artists of the abstract expressionist movement. "I struggled to understand what it all meant, and then one day, after hours of painting in the studio at N.Y.U., I got it! The pure joy, power and love of brush and paint expressed by a stroke, in a moment! It was exhilarating and my first successful abstract piece was created: very hard work; I was eighteen. I am not an abstract expressionist, but over these many years my work has evolved and if one looks closely into any small area of my watercolors, that influence can still be seen." When the great American painter, Edwin Dickinson, met Ms. LaRocca at a one-woman exhibition, he personally congratulated her and wrote "Du Premier Coup" (The First Stroke), an honor and acknowledgement she treasures to this day.

Travels, experiences, dreams, exploring various approaches to and philosophies of art, all influenced the development of Ms. LaRocca's work. Although Joan worked effectively in a variety of materials, she focused on watercolor because it seemed the most "natural" medium and enabled her to arrange more complex, detailed, and delicate compositions where space and image could merge... then emerge independently... then merge again.

Because of a dream, Joan made her first journey to the Southwest in 1988. It made quite an impact and suddenly everything seemed to converge. That initial contact changed her vision, her painting and her life. The power of the Earth, Native American culture, the palpable Spirit there, grounded and connected all the pieces to form the whole. This is evident in her work and at the heart of it all was a motif Joan LaRocca had continuously been using since her earliest student days — The Sacred Circle. "Art brings me to the center, but I want each painting to exist independently and to be felt. I want each work to have a life of its own and to speak for itself."

Ms. LaRocca is an artist member of the Connecticut Academy of Fine Arts, the Silvermine Guild of Art, the Connecticut Watercolor Society and Connecticut Women Artists. She continues to have exhibitions throughout the Northeast and Arizona and her work is in numerous private and corporate collections. Joan LaRocca, also a photographer, studied in Sante Fe, N.M.. She was given Honorable Mention for a photograph which is now part of a permanent collection in the Museum of Natural History in New York.

Holly Parker | Director of the Business of Arts Center

Holly Parker knows the power of art and its ability to bring communities together. She is the director of the Business of Arts Center, a nonprofit organization in Manitou Springs that fosters artists and enables them to make a living from their craft by providing studio space and other services. She’s also an artist who works in a variety of mediums. Having grown up in Colorado Springs, she’s not only been dialed into the art scene, but she’s seen first hand how an inspiring landscape can lead to inspired people.

Devin Gonzales | Fort Collins Artist

About his work:
"My art is a reflection of myself, and I haven't completely gotten that one pinned down yet. The more knowledge I gain, the more I try to express. Lately, I've been exploring the philosophies and ideas of 20th century artists whom I admire.

I do this on the basis that you can't step into the future without having some knowledge of your immediate past. So with one foot in the past and one in the future, I face the more immediate challenge of the present, and it is a multifarious one. There are two factors that shape my state of mind in this present day.

The first are my personal challenges. It's easy to become consumed by the events that take place in our lives. At times I've experienced a certain loss of identity that was not productive for me. I think that a lot of people can relate to this type of uncertainty, but what keeps me centered is my art. I make sketches in an attempt to explore my own subconscious and to rediscover myself. This is where my present work begins."

Demeng, De Man

His is about transformations. Discarded materials find new and unexpected uses in his work; they are reassembled and conjoined with unlikely components.

Amelia Caruso

Amelia Caruso has lived in the Ft Collins area for almost 10 years. She has worked on such television shows as the Emmy Award winning Will and Grace and Peabody Award winning The Bernie Mac Show. Ms. Caruso has shown throughout the United States and is currently represented in Hollywood by ArtPic 2000.

Inspired by several different artistic views; Australian Aboriginal dot patterns, Mandelbrot Fractals and the concept of visualizing the flow of negative space are all part of this design. In addition to tying in the colors already in use in the alley, the artist envisioned the central vein in the design as being a reference to the Poudre River. The flow of the pattern from or to the "headwaters" or the flow of the negative spaces within the pattern will be continuous to the viewer when either coming or going in the alley.

Miami Artist | Alejandro Mendoza

Artist Statement for Alejandro Mendoza

In other words the history of this proposal, could be, the search of constant reflection, a critic that carries its own cross. By being this one of the elements or forms most intelligently created by man throughout his whole life. The Cross is the sign and symbol of the oldest semantic loads of all times. It will be and has been the source of miracles, yearning illusions, the dearest motives for rites of commitment and happiness. But the Cross has also been the sign and symbol for the sadness, the despair, the pain, the torture, the desolation and great means for punishment, until concluding with death itself.